David Potter has never been afraid to say what he thinks, and "The Miseducation of MMA Volume 3" is a wonderful example of that. The album is a bold, funny trip through modern absurdity, combat sports, and celebrity culture. There are 27 songs on it, and it lasts more than two hours. Potter takes humour to the next level by combining Broadway-style parodies with stand-up accuracy. He balances disorder with skill. It's charming, crazy, and very aware of itself. This record will make you laugh one minute and make you think about society the next.
"Charlie Kirk" and other highlight tracks show how funny and brave Potter is. The beat is so fun that it could be circus music, and it has roasts and social commentary. Potter's punchlines, which are as powerful as those of most cage fighters, transition from a dramatic speech to a lyrical attack. It sets the tone for an album that doesn't back down from anything. It's amusing and brave.
After that, "Hulk Hogan in Hell" gets even hotter and goes straight into parody mode without any shame. Every exaggerated inflection shows that Potter has experience with performance art. He uses a darkly funny perspective to reimagine the mythology of wrestling. The sound of the production is like a crowd in an arena, and his delivery goes from humorous to serious. This song shows that Potter can use nostalgia for pop culture to make sharp remarks about society. It shows that both funny and serious writing can be just as strong when done with thought.
"Where's Ronda Rousey's Fine Ass At" has a different kind of energy: it's more laid-back and fun but still sharp. Potter is at his best when he makes a song that is both a tribute and a takedown. The jokes were amusing and not too silly, like an artist who knows how to walk the line between the two. The jokes' timing, pacing, and flow make it one of the album's most addictive songs. You want to listen to the song again and again to hear all the little things that make you laugh.
Then there's "Fuck Disney," which feels like the album's last song and the end of the show. Here, Potter's satire turns into loud, defiant, and unfiltered rebellion. The beat grows stronger like a scene in a movie, and his voice cuts through like a speech in a play about rebellion. It makes a strong statement about culture, business, and creative freedom. It sums up "The Miseducation of MMA Volume 3" in a lot of ways: brave, self-made art.
When the last echoes fade, David Potter's The Miseducation of MMA Volume 3 will still be a brave satire for a brave time. It's like a play on an album: loud, nonstop, and very self-aware. Potter holds up a mirror to modern culture and dares to laugh back with humour and chaos. This album shows us why he is still one of the most original voices in entertainment today, even though few artists are willing to take risks.